Welcome to the Verified Machine

Imagine for a moment that you’re a software team, pushing new versions into production. You’re working on multiple pieces independently, so as you make changes automation pulls it all together in orderly Continuous Integration. At the right moment, your team’s work is pushed and Continuous Delivery does the job. Five deploys a day? No problem. Y’all have written, collaborated, tested, and published your glorious stuff. Job well done!!!

Just kidding, you’re not done. Does anyone write software that will suddenly just stop? Ok, maybe Y2K mitigation. But most of us in this industry want to see our stuff keep running into the unforeseeable future. That’s where Continuous Verification enters the picture. In operations, we’ve been given the ball to ensure the reliability of the software you write, but we want to be as invested in running it into the future as you are in writing it.

So, long story short (and trust me it’s long), that’s what I’m doing now at a company called Verica. We are a Continuous Verification company. It’s an area closely aligned with Human Factors Engineering, Resilience Engineering, Safety, and Chaos Engineering. In fact, Chaos Engineering is central to what we do. We are here to help the enterprise get a leg up on Continuous Verification for the complex distributed systems they run. Tested in production, like the glass says.

At Verica, I’m still doing ops. I am SRE, I am Sr. Infrastructure Engineer, I am IT, I am NetEng, I am Purchasing, I am UAT. When we get some, I’ll be DataOps. Nevertheless, I’m beginning to traverse a lot more of the software stack than I ever have before (Golang and service meshes, reluctantly Python, you can rip my Zsh from my cold dead hands). I am excited to teach and speak and collaborate on all things Chaos Engineering, especially how it intersects with my musical proclivities. I will be speaking at Texas Linux Fest at the end of May about this very topic!

Most of all I’m excited to work with a stellar team. These are people I’ve changed up my life and taken great risks to work beside. Five years ago I discovered there was a close similarity between indeterminacy in distributed systems and the things I have studied in music. Verica is the next amalgamation of my love for musical improvisation and operating complex systems. It’s about time I wrote an opera, isn’t it?

Pickles for Adam

(on the occasion of our meeting and bridge crossing)

Vinegar still rhythm
Sounds in parallel
Sticks shove and
Pucker.

Twiddling stone across
Steps to below regions
Glass smoothly to
Airwaves.

Pentatonic organum
Slides the rails aside
Bringing touches on
Reedlings.

Air patterns float around
Silent eyes and finds
Lowly tones with
Grains.

Fermented time brings
Succulent and sprung
Rocks melting or
Clicking.

Repeat and distracted
Silver round reflective
Cover glimpse for
Shakers.

Wooden spike and leather
Salient table top runner
Up down swideways for
Dripping.

Finally ice in clacks
Slides and carousels
Rotations wax and be
Poetic.

(March, New York City, 2019)