Just in case you missed it, SoundWalk Long Beach 2011 is just around the corner! Check out the newly posted set of mp3’s from last year’s event at craque.net (or download a zip file of flac files directly).
Here’s a couple of pix from last year’s event…
I’ve set up a set in Soundcloud called “Downtempo Excursions” to post some sonic paintings created with free improvisation and minimal beats.
Let me know what you think! These are sort of what I’d call “composting” of materials, kaleidoscopically tapestristic, experimentally structured.
Freely improvised one-takes. Instrumentation includes homebuilt instruments, sampled objects and looping hardware.
This music sharing site is a great tool for posting various non-published tracks, as well as released stuff, and has a nice embeddable player and comment system. Really nice for being able to just slap some stuff up, I have one friend who has recently been doing the same with sessions on his new Serge Modular Creature, and another who posted “in progress” snapshots of a track he is working on.
Feel free to download and remix, just give the proper attribution.
Once aspect of creativity I haven’t quite discovered how to manage is the navigation of intuition.
It strikes me that some are better than others at accessing this elusive part of the imagination. As a visceral experience it’s unmistakable, but the pathways to obtaining that level of immersion are not so clear.
Inspiration strikes at the most incredulous opportunity; sometimes it’s like a pull, like gravitation towards a goal not seen, being drawn into a feeling that is indescribable beyond the need to create.
What about when it’s required? On-demand?
Like an actor playing the same role week after week, or a jazz musician improvising over the same progressions night after night… the good ones – the ones really in touch with the craft – know where to look for passageways, or how to prepare themselves to accept the supernatural-like ability of the unconscious brain to know exactly how things go and exactly where in the most immediate and uncalculable ways.
That doorway is really the goal itself, the ego-freeing feeling of letting go and allowing what Nature designed to take its course. In a way artists do nothing but recite what they already know by understanding themselves as part of the entirety of life outside of themselves.
A quintet I played in for some time called Gray Code now has a live recording up, from the 2000 Philadelphia Fringe Festival.
The name of the group is taken from the structure we often used to improvise: “In performances using the Gray Code structure for five players, we proceed through all the possible combinations of members of the group, including the silence that starts and ends the performance, five solos, ten duets, ten trios, five quartets, and the single quintet involving all the players. Each combination appears exactly once. To move from any combination to the one that follows it, a single player starts or stops performing.”
Starting off the new year with an archival live show: Amalgamation: Live at Smartbar, Chicago, 2002 is a set I did at SmartBar in March of 2002.
This is a set where I combined many influences, methods and directions together through a wide assortment of sampled objects, guitar playing, voices, and softsynths. It’s glitchy, ambient, dark, funky, beaty and bouncy all at the same time! A really nice listen with highly contrasting sections of sound and rhythm.